"We are living on a wandering planet", he beautifully observed.
"From time to time, thanks to the aeroplane, it reveals to us its origin: a lake connected with the moon unveils hidden kinships.
I have seen other signs of this."
This idea of connection - an idea that was both environmentalist and humanist in its implications - joins all of Saint-Ex's writing,
right through to his mystical work, Citadelle, unfinished at the time of his death
(he died as he dreamed, disappearing in July 1944 during a reconnaissance flight over the Mediterranean).
Up in his sky-lab, Saint-Ex developed a socialist version of heroism: a belief
... that "human solidarity was the only true wealth in life, mutual responsibility the only ethic".
I have been up there to seek once more the proof of my good faith, in the skies over Arras.
I have committed my flesh to that endeavour.
All my flesh.
I committed it when loss seemed certain.
I gave everything I could to the rules of the game ...
In other words, the right to participate.
To be bonded.
To commune.
To receive and to give.
To be more than myself.
To accede to that sense of fullness which is growing so strongly within me.
To experience the love that I am experiencing towards my comrades,
that love which does not come surging from somewhere outside,
which does not seek expression - ever - except, to be truthful, at farewell dinners ...
My love for the Squadron has no need of words.
It is formed only of bonds.
It is my very substance.
I am one with the Squadron.
That is all there is to it.
Uniforms ask to be taken seriously, with suggestions of probity and virtue (clergy and nuns, judges when robed),
expertise (naval officers, senior chefs, airline pilots),
trustworthiness (Boy and Girl Scouts, letter carriers, delivery men and women),
courage (U.S. Marines, police officers, firefighters), obedience (high school and university marching bands, Ku Klux Klan),
extraordinary cleanliness and sanitation (vendors of ice cream on the streets, operating-room personnel,
beauty salon employees, food workers visible to the public, and, in hospitals, all wearers of white lab coats,
where a single blood stain might cause shame and even dismissal).
You don't have to read these unless you wish to ...
... but we might touch upon them in conversation
Sensemaking is matter of identity: it is who we understand ourselves to be in relation to the world around us.
Sensemaking is retrospective: we shape experience into meaningful patterns according to our memory of experience.
How and what becomes sensible depends on our socialization: where we grew up in the world, how we were taught to be in the world, where we are located now in the world, the people with whom we are currently interacting.
Sensemaking is a continuous flow; it is ongoing, because the world, our interactions with the world, and our understandings of the world are constantly changing. You might also think of sensemaking as perpetually emergent meaning and awareness.
... there is little consensus on what organizational culture actually is, never mind how it influences behavior and whether it is something leaders can change.
This is a problem, because without a reasonable definition (or definitions) of culture, we cannot hope to understand its connections to other key elements of the organization ...
If we can define what organizational culture is, it gives us a handle on how to diagnose problems and even to design and develop better cultures.
Culture as a concept has had a long and checkered history ... In this context managers speak of developing the "right kind of culture" or a
"culture of quality," suggesting that is concerned with certain values that managers are trying to inculcate in their organizations.
Gotan Project is a musical group based in Paris,
consisting of musicians Philippe Cohen Solal (French), Eduardo Makaroff (Argentine)
and Christoph H. Müller (Swiss, former member of Touch el Arab).
They formed in 1999.
Their first release was Vuelvo Al Sur/El Capitalismo Foráneo in 2000,
followed by the album La Revancha Del Tango in 2001.
Their music is clearly tango, but also uses electronic elements such as samples, beats and breaks ...
The name of the trio comes from a form of wordplay very common in Rioplatense Spanish's argot named vesre.
This wordplay involves the reversal of syllables.