A blog posting from a previous class includes links to various takeaways from this movie. After you have seen the movie, look at them and ask yourself if these were the lessons you drew from the movie.
Elmer Bendiner's experience is also again instructive.
After a while my career as an amateur airplane spotter had a routine. It began early in the morning. The B-17 Flying Fortresses, heavy with their bomb loads, climbed slowly overhead to a height where a whole bomber group would form up and then head east over the North Sea.top
Hours later they returned, no longer in tight formation but in clusters with obvious gaps where some had been lost. Finally came the stragglers, often with pieces missing from a wing or a tail. I recall one or two that managed to fly with half of a horizontal stabilizer missing or a wing tip half ripped off. Engines ran unevenly, sometimes coughing smoke.
Obviously, I had no idea of the hell that those aircrews had endured. As it turned out, one of the best accounts of that hell was later written by a B-17 navigator, Elmer Bendiner, who flew from that same base, in The Fall of Fortresses, an enduring classic of the World War II bombing campaigns.
You might find Elmer Bendiner's The Fall of Fortresses a different view of the context of the movie. Bendiner was a navigator who flew in the planes in the movie and survived the missions to Schweinfurt.
A virtuoso on the pedal steel guitar, Robert Randolph set the music world on fire in 2000 when he began playing his first club dates in New York City. Randolph started playing the instrument as a church-going teenager in Orange, New Jersey, a small city just outside of Newark. He regularly attended the House of God Church, an African-American Pentecostal denomination that had been implementing steel guitars (or “Sacred Steel”) in services since the '30s, with the pedal steel in particular being introduced during the '70s. Randolph learned to play by watching other steel players during church services; years later, he updated that sacred basis with a secular mix of funk and soul, giving a new multicultural facelift to an instrument that had often been associated with country music.top