Journals:
Interestingly
enough, all of the journal entries found relate to the political
implications
of the literary and film James Bond. The linked-text will take you to the UNC Libraries E-Journals page,
where you can find these journal articles by plugging in the pertinent information.
Black,
Jeremy. “Oh,
James” National
Interest;
Winter2002/2003 Issue 70, p106
This
article discusses the Cold War socio-political climate of the James Bond books
and films. Black notes that the literary James Bond was shone in an atmosphere of a decline in Anglo-American
international relations, in which Bond uses his wits rather than resources to help American allies who
don't always pool their intelligence with their neighbors "across the pond". Black contrasts this characterization with
the cinematic Bond who he says is a "Batmanesque comic book fantasy" character who (in a "deus ex machina" fashion)
unrealistically bails America out of trouble and eases Cold War tensions between the US and USSR (like in "Dr. No" or "You
Only Live Twice").
Dodds, Klaus. “On Her Majesty’s Secret
Service” Geographical; Dec2002, Vol. 74 Issue 12,
p17
- This article includes discussion of the
geopolitical implications of the James Bond films – especially the
topicality
of political issues in the films.
Mulvihill, Jason. “James Bond’s Cold War
Part I”. International Journal of
Instructional Media. 2001, Vol. 28 Issue 3
Mulvihill, Jason. “The
Golden Age
of Bond – Creation of a Cold War Popular Hero” (1962-1965) Part II.
International Journal of
Instructional Media. 2001, Vol. 28 Issue 4
- These two articles provide an interesting
in-depth look at the marriage of Cold War politics and popular culture
of the
James Bond films.
Olijnyk, Zena.
“Live and Let Lie”. Canadian
Business; 14
April 2003, Vol. 76 Issue 7, p77
- This article provides an interesting
description of Ian Fleming’s Jamaican estate. Fleming wrote all of the
James
Bond novels here, so it is interesting to see the environment which
provided
inspiration for the author.