For societies, that is more worrying. YouTubers and Instagram personalities sign no editors' code of conduct, are uninterested in traditional practices of fairness or objectivity, and their motives are untainted by antiquated notions of public benefit. That gives information insurgents tremendous power. Governments and institutions cannot simply wish it away. Indeed, some already seem to feel they have little choice but to join the fray. ... “Although we might not want to accept it and we might kick against it, the internet is increasingly becoming the real world.”
The year is 2021, and honestly there ought to be more robots. It was a decade ago that two scholars of technology, Erik Brynjolfsson and Andrew McAfee, published “Race Against the Machine”, an influential book that marked the start of a fierce debate between optimists and pessimists about technological change. The authors argued that exponential progress in computing was on the verge of delivering explosive advances in machine capabilities. Headline-grabbing breakthroughs in artificial intelligence (ai) seemed to support the idea that the robots would soon upend every workplace. Given that, on the eve of the pandemic, jobs were as plentiful as ever, you might now conclude that the warnings were overdone. But a number of new economics papers caution against complacency. The robots are indeed coming, they reckon—just a bit more slowly and stealthily than you might have expected.
The discipline of walking as it relates to art should not be mistaken for a leisure activity. Take, for example, walking as a flâneur or as a pilgrim, or going out for a promenade, for in each of these pursuits there are goals: the flâneur sets out into the city streets to investigate or procrastinate; the pilgrim ambles toward the holy land for the sake of a blessing; an evening stroller seeks digestive benefits as well as social interaction, whether walking with a companion or encountering neighbours along the road. In all cases, there are ends to be gained.
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Then read is technology making us stupid?
Google is the prime culprit, Mr Carr says. "In many ways I admire Google, but I think they have a narrow view of the way we should be using our minds. "They have this very much of an industrial view that everything's about how efficiently you can find that particular bit of information you need - and then move on to the next."
Mr Carr says that this simple experiment could suggest that as computer software becomes easier to use, complicated tasks easier, we risk losing the ability to properly learn something - in effect "short-circuiting" the brain.
"When you think about how we're coming to depend on software for all sorts of intellectual chores, for finding information, for socialising - you need to start worrying that it's not giving us, as individuals, enough room to act for ourselves."
Having wondered if Google is weakening our brains, go on to read
We Asked AI to Take Us On a Tour of Our Cities. It Was Chaos by Natasha Bernal and Amanda Hoover
Is there an argument for perhaps not giving up our analog tools and thinking?
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Cantaloupe Island by Hugh Masekela
Hugh Masekela, who has died aged 78, was one of the world's finest and most distinctive horn players, whose performing on trumpet and flugelhorn mixed jazz with South African styles and music from across the African continent and diaspora. Exiled from his country for 30 years, he was also a powerful singer and songwriter and an angry political voice, using his music and live performances to attack the apartheid regime that had banished him from his homeland. (from the Guardian obit)
Cantaloop (Flip Fantasia) by Us3
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