But, as we have lost two class sessions due to the extended break, you all may watch it on our own, if you want to. Today, we will frame the movie in terms of what we have already discussed this semester.
In the movie 12 O'Clock High, there is a scene early in it that portrays a dramatic story that sounds almost unbelievable. This is a movie, but it depicts an actual event and actual people. The movie itself is a very real depiction of real events.
Twelve O'Clock High is a 1949 American film about aircrews in the United States Army's Eighth Air Force who flew daylight bombing missions against Nazi Germany and occupied France during the early days of American involvement in World War II, including a thinly disguised version of the notorious Black Thursday strike against Schweinfurt. The film was adapted by Sy Bartlett, Henry King, and Beirne Lay, Jr. from the 1948 novel 12 O'Clock High, also by Bartlett and Lay.
You might find Elmer Bendiner's The Fall of Fortresses a different view of the context of the movie. Bendiner was a navigator who flew in the planes in the movie and survived the missions to Schweinfurt.
The film was nominated for four Academy Awards and won two. In 1998, Twelve O'Clock High was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant".
A blog posting from a previous class includes links to various takeaways from this movie. After you have seen the movie, look at them and ask yourself if these were the lessons you drew from the movie.
As you think about this movie, you might consider it on multiple levels. One is the American story being told in the movie, another might be a British perspective on the American effort.
Another is the subtle story about organizations is being played out in the background. Think about what the characters are thinking about in terms of their particular situations, as well as in the evolution of the organization itself.
Some background to the movie may be of interest.
In the PBS television series about the history of jazz music, it was mentioned that a 1938 concert in Carnegie Hall was the big breakthrough for jazz music into the American mainstream. But at the start of the concert, things were dragging and not looking good. Gene Krupa couldn't stand it and burst forth with a solo on his drums, a solo that no one had expected. According to the Smithsonian Magazine, At a groundbreaking Benny Goodman concert in Carnegie Hall on January 16, 1938, Krupa’s sensational driving beat behind “Sing Sing Sing” ... defined him as the very model of a modern drummer.
... this prolific studio player grew up in Maryland before moving to New York in the early 1960s where he got his start doing sessions with jazz artists like Nina Simone and Gabor Szabo. Known for his intricate hi-hat "ghost notes," Purdue soon became one of the most in-demand drummers in the entire industry, serving as Aretha Franklin's musical director for several years when he wasn't busy recording with everyone from Steely Dan to Mongo Santamaria to Bob Marley. The question isn't who Pretty Purdie played with; it's who he hasn't.
Eight-year-old Yoyoka Soma's favorite drummer is John Bonham, so for her entry into the 2018 Hit Like A Girl drum contest, she covered Bonham's part on Led Zeppelin's "Good Times Bad Times." ... She absolutely smashes through the song with three foot pedals and polka dot socks putting in bass work. She's even got the facials and head banging down. And the dampening of the cymbal is a detail only a tenured drummer like herself could add.
This is a 12 year old Spanish girl, singing in the competition for the Spanish entry to the Junior Eurovision Song Contest. This is both an operatic voice and a call from the future to those of us in the present.
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