The Art Of Participation

This page is taken directly from Kari Kraus' weblog 'accidentals and subversives,' at http://karik.wordherders.net/. The URL for this particular posting is: http://karik.wordherders.net/archives/002592.html.

I changed it so that it would be more relevant for digital materials, and put it on my website so it would never disappear.

Art of Participation

If only we could all read (or even skim) a text once and then wax eloquent on it during class discussion. While a fortunate few possess this skill, most of us don’t. No need to despair, though, for you too can sound brilliant in the classroom. The trick is to cultivate the rarefied art of Sprezzatura: "well-practiced naturalness" or "rehearsed spontaneity," a trait possessed by the most gifted conversationists, debaters, politicians, intellectuals, teachers, socialites, and others whose business is serious discourse (scroll for a good definition). Here are some tips:

  1. When preparing for class, first read your assigned text once, commenting in the margins as you go along. This is a highly idiosyncratic process. Your jottings are personal—don’t fret because others can’t decode them.
  2. Selectively review your text, returning to those passages you found most significant, compelling, and interesting. Familiarize yourself with the style and language of these excerpts. Here’s an idea: memorize a favorite line or passage. The idea is to really interact with the piece, lingering over details and technique.
  3. Use your dictionary to look up unfamiliar words.
  4. Here is the challenging part: Start to make connections among the different passages you review. Actively seek out patterns: of thought, tone, language, intention, imagery. Build your own system of cross-references in the margins of your text to help you reaccess (during class discussion or when writing a paper) those interconnections.
  5. While identifying patterns is incredibly important, don’t be afraid to address contradictions. A willingness to grapple with inconsistencies is the sign of a sophisticated mind. Mark those places in your text that seem to belie other passages. How can you account for these contradictions?
  6. Don’t hesitate to bring in outside knowledge when it is relevant: Does a particular word, phrase, sentence, passage, or chapter in the text under consideration remind you of another text (or movie or painting or piece of music) you have encountered elsewhere? Consult that other text (movie, etc.). If you have time, take a few notes on it, and then give some thought to how you might relate it to the class reading.
  7. (The most difficult part of all): Be a prophet! Anticipate (in advance of discussion) others’ responses to, concerns about, and interests in the text at hand. Consider how you might intersect with their comments in class. The ability to follow up on a peer’s (or teacher’s) response substantially contributes to the quality of classroom time.
  8. Finally, learn to support general assertions with textual evidence. Direct the rest of us to a particular passage in the text that illustrates your point (use your marginal annotations to help guide you in this pursuit).

This page is taken directly from Kari Kraus' weblog 'accidentals and subversives,' at http://karik.wordherders.net/. The URL for this particular posting is: http://karik.wordherders.net/archives/002592.html.

I changed it so that it would be more relevant for digital materials, and put it on my website so it would never disappear.